DougJ excerpts a couple of passages from Douthout and Judith Warner and draws the conclusion that they are still missing the point that she is a griffter and a boob, and should move on. Doug’s right, of course, but he’s also missing the process of whats going on.
For the last 30 years the GOP have been absolute masters at packaging a national figure in symbol and myth as a way of connecting to the collective American narrative. Sometimes they are spectacularly successful, as with Reagan, an actor quite willing to project every quality the GOP storytellers wrote for him, and other times not so much, as with Fred Thompson, another actor who could not quite fit into the role as written, no matter how long he had been rehearsing for the part.
For it’s part, the GOP and conservatism in general has devolved to the point where they believe their own stories at such a core level that they spend all their time arguing from this fictional perspective. Douthat really thinks, because he and everyone around him does also, that liberals see leaders as symbolic constructs – the sum of their public image. That’s why the GOP thought they had a winning story by attacking liberals for turning Obama into a cult idol. Actual Democrats for the most part did no such thing, of course, but because they build their own political leaders to appeal to such symbolic shorthand, attacking Obama in from this angle at least resonated with the commentariat, and for sure resonated with the GOP prols.
Let me just interject at this point a bit of awe from one storyteller to another at the ability of the GOP to spin narrative over the last 10 years. It’s been like watching Shakespeare or perhaps Pynchon unfold a masterpiece that counts the entire world as bit players and chorus. The masterful thing has not been so much their ability at misdirection and the use of McGuffins to confuse the audience, though that is impressive, but the way they have been able to direct the timing of the revelation of plot points to maximize effect. Timing has been everything, and the GOP has been able to use the rhythm of elections to take us from act to act for decades. Everything, from the rise of GW Bush, to the start of the Iraq war, to the release of the pictures of Abu Gharab, was pushed with an eye towards the larger narrative. Even the obfuscation and foot dragging on Guantanamo was designed to push that arc to the next iteration of the cast. And with an stage-managing operation like the one Rove ran at the White House, disseminating the plot points to the retail storytellers was a simple task.
So the problems for Palin, and the reason for so much jibber and jabber among the media class, are one) there is no longer a central clearing house for GOP-narrative plot points, and two) Palin herself seems to be running a con on the cons. After her on-book introduction at the convention, she has gone decidedly off-book and has turned out to be quite the improviser. The problem for the audience is that we’re a bit confused at this point because the character-as-written doesn’t seem to mesh up with where the actress wants to take the part. Douthat is absolutely correct, we do see Palin as a “distillation of every right-wing pathology, from anti-intellectualism to apocalyptic Christianity,” but the list of pathologies continues: liar, self-promoter, power-hungry, manipulator, in a word, sociopath. We come to these conclusions not because we always portray our political enemies in such ways, but because there really is a great gulf between the character we were introduced to, and the one we see on stage now.
Douthat and Warner may are clearly groping around in the usual places for story beats and character development (setting up tension with liberals is always a reliable first act), their problem is that this particular actress has her own method, and seems determined to make the show all about herself. Palin has broken the trust of the audience, and I doubt very much they will pick up the thread again soon, except to watch her crash and burn. We do love a good cautionary tale.
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